Underspecification and phonological activity

Questions to start with

The key idea behind viewing size as a driver of phonological behaviour is that phonological activity corresponds to the presence of structure. Can we push this further?

  • If presence of structure is an explanatory factor and phonological activity is epiphenomenal, what justifies presence or absence of structure?
  • Where does phonological structure come from? What considerations, other than the patterns we are trying to explain, can support or militate against a representational proposal?
  • The story of western phonology as usually told (cf. Anderson 2021) begins with the realization that phonological structure is built because of lexical contrast. It is contrast that plays this external grounding role on which the edifice of phonology is later built: distinctions that are contrastive matter, those that are not are redundant, and phonologists should not care. Seen this way, was it a wise move to abandon this view, as generative phonology tried to do?

Language background

We consider two examples here. First, we look at from Written (Classical) Manchu, a Tungusic language attested in writing from around the 16th-17th century. and from Xibe, a variety spoken by around 30,000 speakers (2000 census), currently in the Xinjiang but historically primarily in north-eastern China, which is closely related to the varieties that underlay written Manchu.

PDF version of the dataset.

Written Manchu

The vowel inventory of Written Manchu
Front Central Back
i u
ʊ
ə
ɔ
a

The vowel [i] exerts a palatalizing influence on at least some preceding consonants.

Vowel harmony in Written Manchu

ATR harmony in Written Manchu
Unsuffixed Suffixed Gloss Suffix
xəxə xəxə-ŋɡə ‘woman’ Genitive
kumun kumu-ŋɡə ‘noise’
aɢa aɢa-ŋɢa ‘rain’
itʂʰi itʂʰi-ŋɢa ‘direction’
tursun tursu-ŋɢa ‘form’
tʰɔn tʰɔ-ŋɢa ‘number’
susə susə-tə- ‘coarse’ Causative
χʊrχa χʊrχa-ta- ‘fishing net’
tulpa tulpa-ta- ‘careless’
tʂili tʂili-ta- ‘anger’
silxi silxi-ta ‘envy’
xətʰu xətʰu-kən ‘stocky’ Attenuative
ɡulu ɡulu-kən ‘plain’
farχʊn farχʊ-kan ‘dark’
χʊtun χʊtu-qan ‘fast’
pəki pəki-lə- ‘firm’ Causative
paqtʂʰin paqtʂʰi-la- ‘opponent’
xərə- xərə-ku ‘ladle out’ Nominalization
paqtʰa- paqtʰa-qʊ ‘contain’
tʂʰili- tʂʰili-qʊ ‘choke’
səxəxun səxə-xuri ‘vertical’ Augmentative
laqtaχʊn laqta-χʊri ‘drooping’
əmtʰə əmtʰə-li ‘one each’ Adjectivization
taχa taχa-li ‘follow’
uli- uli-xə ‘string’ Past
ana- ana-χa ‘push’
pu- pu-xə ‘give’

Questions:

  • What is the distribution of velars and uvulars? How do they relate to vowels?
  • What classes do the vowels fall into with respect to ATR alternations?
  • Are any vowels exempt from patterns involving ATR?
Rounding harmony in Written Manchu
Unsuffixed Suffixed Gloss
kumun kumu-ŋɡə ‘noise’
tursun tursu-ŋɢa ‘form’
pɔtʂʰɔ pɔtʂʰɔ-ŋɢɔ ‘colour’
χʊtun χʊtu-qan ‘fast’
fɔχɔlɔn fɔχɔlɔ-qɔn ‘short’
ɡulu ɡulu-kən ‘plain’
tɔ- tɔ-na- ‘alight’
tɔː- tɔː-na- ‘cross’
pɔtɔ- pɔtɔ-χɔ ‘think’
pu- pu-χə ‘give’

Questions:

  • The data is a bit sparse, but can you make a generalization about when rounding harmony occurs?
  • Which vowels trigger rounding? Which ones don’t?

Analysis

Given the above generalizations, what featural specifications can we justify?

Feature /i/ /u/ /ʊ/ /ɔ/ /ə/ /a/
[low]
[coronal]
[ATR]
[labial]

Xibe

Xibe has no /ʊ/, but has acquired /ɛ y œ/, primarily by assimilation of original /a u ɔ/ by a following /i/.

Xibe vowel inventory
Front Central Back
i y u
ɛ œ ə ɔ
a

Vowel harmony in Xibe

Vowel harmony alternations in Xibe
Written Manchu Xibe Gloss
a. ɡətʰə-xə ɡətʰə-xə ‘awoke’
uli-xə uli-xə ‘stringed’
ana-χa anə-χə ‘pushed’
ɢɔtʂʰi-χa ɢɔçi-xə ‘cherished’
b. pu-xə pu-xu ‘gave’
pɔtɔ-χɔ pɔtu-χu ‘thought’
c. nətʂi-kən nətçi-kən ‘flat’
ərtə-kən ərtə-kən ‘early’
ampa-qan am-qən ‘big’
χantʂi-qan χantçi-qən ‘near’
d. dʐuʂuxu-kən dʑyɕxu-kun ‘sour’
xətʰu-kən xətʰu-kun ‘stocky’
laptu-qan lavtu-qun ‘many’
farχʊ-qan farχu-qun ‘dark’
fɔχɔlɔ-qɔn fœχulu-qun ‘short’
ɔsɔχo-qɔn ɔsχɔ-qun ‘small’

Questions:

  • What happened to [ATR] harmony in Xibe? What about the consonants?
  • How does rounding harmony work? What are the relevant classes?

Analysis

Given the above generalizations, what featural specifications can we justify?

Feature /i/ /u/ /y/ /ɛ/ /œ/ /ɔ/ /ə/ /a/
[low]
[coronal]
[ATR]
[labial]

Considerations for discussion

  • Having established what featural specifications can be supported from the alternations, can we justify from other considerations such as contrast?
  • Compare the representational solutions to the Manchu problems to the representational analysis of Nivkh on Monday. What are the alternative approaches to both?
  • Does ‘representational reasoning’ carry all the explanatory burden in the Manchu case? What is missing? Do we need anything else to give a complete account? How do we decide?

Sources

The phonological patterns of Written Manchu and Xibe are discussed extensively in the study by Zhang (1996). The analyses presented here come from Dresher & Zhang (2005).

References

Anderson, Stephen R. 2021. Phonology in the twentieth century (History and Philosophy of the Language Science 5). 2nd ed. Berlin: Language Science Press. doi:10.5281/zenodo.5509618.
Dresher, B. Elan & Xi Zhang. 2005. Contrast and phonological activity in Manchu vowel systems. Canadian Journal of Linguistics 50. 45–82.
Zhang, Xi. 1996. Vowel system of the Manchu-Tungus languages of China. Toronto: University of Toronto PhD thesis.